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      <image:title>Essays &amp; Criticism - Hallmark's latest Jewish offering: An order of "Hanukkah on Rye" piled high with racial pandering - Make it stand out</image:title>
      <image:caption>Jeremy Jordan and Yael Grobglas in "Hanukkah on Rye" (Hallmark Media/Pooya Nabei)</image:caption>
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    <lastmod>2022-12-04</lastmod>
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      <image:title>Essays &amp; Criticism - "Drive My Car" by Ryûsuke Hamaguchi (2021) - Make it stand out</image:title>
      <image:caption>The hands of Kafuku (Hidetoshi Nishijima) and Watari (Toko Miura)</image:caption>
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    <loc>http://www.gregnussen.com/essays/2022/12/2/the-visitor-by-giulio-paradisi-1979</loc>
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    <lastmod>2022-12-03</lastmod>
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      <image:title>Essays &amp; Criticism - "The Visitor" by Giulio Paradisi (1979) - Make it stand out</image:title>
      <image:caption>Franco Nero (background) as space Jesus, or something, presiding over a legion of bald children in The Visitor (1979)</image:caption>
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    <loc>http://www.gregnussen.com/essays/2022/6/26/ruddy-amp-ebullient-imelda-staunton-in-vera-drake-2004</loc>
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    <lastmod>2022-06-26</lastmod>
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      <image:title>Essays &amp; Criticism - Ruddy &amp;amp; Ebullient: Imelda Staunton in Vera Drake (2004) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://www.gregnussen.com/essays/2022/1/15/mmoire-involontaire-or-self-reflexivity-in-the-cinema-of-agns-varda-and-abbas-kiarostami</loc>
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    <lastmod>2022-01-15</lastmod>
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      <image:title>Essays &amp; Criticism - Mémoire Involontaire, Or:  Self-Reflexivity in the Cinema of Agnès Varda and Abbas Kiarostami</image:title>
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      <image:title>Essays &amp; Criticism - Mémoire Involontaire, Or:  Self-Reflexivity in the Cinema of Agnès Varda and Abbas Kiarostami</image:title>
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      <image:title>Essays &amp; Criticism - Mémoire Involontaire, Or:  Self-Reflexivity in the Cinema of Agnès Varda and Abbas Kiarostami - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/52aa03bbe4b0ac8cd8b04f14/9f284270-47c1-421d-92fd-71624200539b/24-Frames-2.jpg</image:loc>
      <image:title>Essays &amp; Criticism - Mémoire Involontaire, Or:  Self-Reflexivity in the Cinema of Agnès Varda and Abbas Kiarostami - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://www.gregnussen.com/essays/2021/10/27/our-bear-from-peru-considering-paddington-2s-critical-ascendancy</loc>
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    <lastmod>2021-10-28</lastmod>
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      <image:title>Essays &amp; Criticism - Our Bear From Peru: Considering Paddington 2's Critical Ascendancy - Make it stand out</image:title>
      <image:caption>Image courtesy of The Wrap</image:caption>
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    <loc>http://www.gregnussen.com/essays/2021/6/17/the-infrastructure-of-power</loc>
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    <lastmod>2021-06-18</lastmod>
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      <image:title>Essays &amp; Criticism - The Infrastructure of Power - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://www.gregnussen.com/essays/2021/2/1/an-early-spring-re-examining-groundhog-day-as-a-roadmap</loc>
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    <lastmod>2021-02-11</lastmod>
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      <image:title>Essays &amp; Criticism - An Early Spring: Re-Examining Groundhog Day as a Roadmap</image:title>
      <image:caption>“When Chekhov saw the long winter, he saw a winter bleak and dark and bereft of hope. Yet we know that winter is just another step in the cycle of life. But standing here among the people of Punxsutawney and basking in the warmth of their hearths and hearts, I couldn't imagine a better fate than a long and lustrous winter.”</image:caption>
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    <loc>http://www.gregnussen.com/essays/2021/2/11/the-chicken-and-the-hawk-the-cinematic-lineage-of-quentin-dupieuxs-deerskin</loc>
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    <lastmod>2021-02-11</lastmod>
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      <image:title>Essays &amp; Criticism - The Chicken and the Hawk: The Cinematic Lineage of Quentin Dupieux's "Deerskin"</image:title>
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    <loc>http://www.gregnussen.com/essays/2020/7/31/metoo-in-three-recent-films-the-assistant-never-rarely-sometimes-always-amp-on-the-record</loc>
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    <lastmod>2021-02-11</lastmod>
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      <image:title>Essays &amp; Criticism - #MeToo in Three Recent Films: The Assistant, Never Rarely Sometimes Always &amp;amp; On The Record</image:title>
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    <loc>http://www.gregnussen.com/essays/2020/7/24/the-criterion-collection-now-includes-nazi-propaganda</loc>
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    <lastmod>2021-02-11</lastmod>
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      <image:title>Essays &amp; Criticism - The Criterion Collection Now Includes Nazi Propaganda</image:title>
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    <lastmod>2013-12-12</lastmod>
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      <image:title>Press &amp; Reviews</image:title>
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      <image:title>Press &amp; Reviews</image:title>
      <image:caption>"The first character the audience meets is… a rooster. Or, to be more textually accurate, a cock, but not just any cock. This is Odysseus Rex... Nussen is playing Odysseus (Odie) ... and his portrayal of a drugged-up and angry rooster is enthralling. Nussen's role seems nearly impossible to play, as his character is inherently deaf to any character that is not another bird. Full scenes are played out between Odie and his owner Gil (Travis Moscinski) that could be divided to create two separate monologues, yet Nussen is able to take what he needs from his scene partner while simultaneously exuding his fiery energy.</image:caption>
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    <lastmod>2019-11-17</lastmod>
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      <image:title>Production Photos - Photo by Reg Madison</image:title>
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      <image:title>Production Photos - Photo by Reg Madison</image:title>
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      <image:title>Production Photos - Photo by Reg Madison</image:title>
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      <image:title>Production Photos - Photo by Reg Madison</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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