Below is a list of longer pieces. For a glimpse into some shorter meanderings, I’m on Letterboxd.
Here is a collated list of my contributions for Deadline Hollywood.
And my contributions for Slant Magazine.
And my work as Lead Film Critic for ScreenRant.
And my contributions for In Review Online.
And my contributions for Boing Boing.
And a link to my Substack, where I write some more esoteric offerings.
The Art of Racial Pandering in Hanukkah on Rye (2022) - Published for Salon on December 19th, 2022
Drive My Car by Ryûsuke Hamaguchi (2021) - Winner of the 2022 New York Film Critics Circle Graduate Student Prize for Criticism
The Visitor by Giulio Paradisi (1979) - Winner of the 2022 New York Film Critics Circle Graduate Student Prize for Criticism
Ruddy & Ebullient: Imelda Staunton in Mike Leigh’s Vera Drake - Published here on June 26th, 2022
Mémoire Involontaire: Self-Reflexivity in the Cinema of Agnès Varda & Abbas Kiarostami - Published here on January 15th, 2022
Our Bear from Peru: Considering Paddington 2’s Critical Ascendancy - Published for The Servant on October 25th, 2021
The Infrastructure of Power: Night & Fog 65 Years Later - Published for IfNotNow on June 17th, 2021
An Early Spring: Groundhog Day and the Power of Solidarity - Published here on February 2nd, 2021
The Cinematic Lineage of Quentin Dupieux’s Deerskin - Published for Vague Visages on September 2nd, 2020.
#MeToo in Three Recent Films: The Assistant, Never Rarely Sometimes Always & On The Record - Published for Bright Lights Film Journal on July 31st, 2020.
The Criterion Collection Now Includes Nazi Olympics Propaganda. Cool. - Published for Knock-LA on July 24th, 2020.